The Painted Veil by W. Somerset Maugham (Review and Book/Movie Comparison)

Read and reviewed as part of my Classics Club Challenge

Hahaha, the last book review on this blog was uploaded in early July. I hope I’m not too rusty.

(Although the fact that I finished The Painted Veil in early July also does not bode well).

Having read this novel nearly four months ago means that I have forgotten the finer details. Overall, however, I really liked it, in spite of my inability to create neat conclusions of its message and/or themes. Yet, in a way, the lack of absolute coherence in The Painted Veil added to its charm. Especially as the novel tackles some topics that, in real life, defies easy categorization, such as: the irrationality of romantic feeling and the influence on religion on one’s character.

Kitty, a pretty and frivolous English debutante, missed her prospects in the marriage market. In a panic, she accepts the proposal of Walter Fane, a dull bacteriologist due to sail to Crown Colony Hong Kong for his post. They quickly marry and settle in the colony, where Kitty meets Charlie Townsend, a handsome, suave, and married British government official. Kitty and Charlie fall into an affair and The Painted Veil enters at the point when Walter discovers the infidelity.

At first, Kitty and Charlie dismiss Walter. He is Charlie’s inferior in the job ladder. He is far too besotted with Kitty. Instead, Walter pushed an ultimatum to Kitty: he will either file for divorce and humiliate her, or she must follow him to the cholera-infested Chinese interior, risking death. Charlie shows his true colors: craven and unsympathetic. Kitty has no option but follow Walter to the mainland.

The Painted Veil, at least the novel version, is the story of Kitty’s introspection and self-improvement. It is not a love story, which the 2006 film adaptation starring Edward Norton and Naomi Watts might lead you to believe.

While I liked the film version for what it was, I much preferred the novel. The novel’s outlook on life is far less simple. Love, and the blossoming of romantic love, is never simple. In the film, Kitty sees Walter’s virtues: his devotion to patients, his kindness, his morals, learns the error of her ways and falls in love with him. Kitty’s book counterpart, however, never falls in love with her husband despite seeing and acknowledging his qualities. She grows to admire him, but eros does not strike.

I appreciated the book’s touch. The film, in a way, pushed a simplistic message: “women, be less foolish and frivolous and just fall in love with the nice guy, will ya?” Never mind the fact that one must wonder at Walter’s supposed kindness when he insisted on bringing Kitty to a region that may spell death.

(I inwardly applauded “That’s my girl!” when book-Kitty exclaimed, “It’s not my fault you were an ass!” at Walter’s misguided punishment)

Kitty’s journey towards self-betterment, almost a coming of age, really, is believable because of the missteps she makes along the way. No one can ever say that Kitty attained perfection. Despite maturing throughout The Painted Veil, she falls short again and again. But she does learn after every debacle. She becomes stronger, wiser. Yet even stronger and wiser, Kitty can still make dreadful decisions – with a particular error close to the novel’s end. But Kitty learns from that too.

At the start of this review, I wrote that I couldn’t eke out the message of The Painted Veil. But perhaps it is simply this: that we make horrible mistakes in life, then we learn and get stronger. We slip up again. But we survive.

Maybe it’s trite. But that’s the point of fiction, no? To make clichéd bumper sticker phrases fresh and true all over again.

What I’m Reading

Man, getting back to fiction reviews isn’t easy. So let’s try a fluffy post to get the writing juices flowing.

I am firmly on the “one book at a time” camp. And yet. There had been four books that I wanted to read next and I truly could not decide which one beckoned most seductively.

One of the defining traits of a perfectionist is a “should, should, should” mentality: I should have done more work today. I should be doing something productive. I should focus my attention to one book only since reading multiple books has never worked in the past.

Well, literary polyamory may have never worked for me in the past, but I am working on my perfectionism. So screw rigidity! Here are the four books that lured me away from book monogamy:

1. Social Media is Bullshit by B.J. Mendelson

In my efforts to learn more about marketing, especially social media strategies for modern marketing, I browsed the business shelves of NYC’s The Strand Bookstore. I ended up with two books from that section: The New Rules of Marketing and PR and Social Media is Bullshit.

I was excited to read Social Media is Bullshit, because I read a few pages of it at the Strand and found it gripping – plus, I think a contrarian viewpoint would be a refreshing antidote against the breathless thinking that social media is the answer to all your business ills.

Unfortunately, it’s not a very good book so far. I’m not finished, but I’m more than halfway through and I dislike the author’s dour and overly cynical tone. His analogies don’t always make sense and some of the math is wrong. I do hope those issues were caused by human error rather than an insidious attempt to get readers to agree with his arguments. The book wasn’t well-edited as well, I spotted grammatical mistakes here and there.

2. Kubah by Ahmad Tohari

 

Tohari wrote my very favorite Indonesian novel, the venerable Ronggeng Dukuh Paruk (English translation: The Dancer), and I love his prose in general (see here), so it’s no surprise that I’m enjoying Kubah (roughly translated as Dome) very much. In fact, Kubah gets the second-most reading time after Social Media is Bullshit.

 Like Ronggeng Dukuh Paruk, Kubah’s plot thread is put in motion by the infamous 1965 coup in Indonesia. While I love how Tohari treated the subject in Ronggeng Dukuh Paruk – that is, with sensitivity and complexity, I have my concerns about Kubah. The main thematic of the novel seems to be rediscovering religion and spirituality and I worry whether the denouement of Kubah will be nuanced and satisfying. Fiction that tackles this theme can end on an overly moralistic or simplistic tone. I hope I am proven wrong, though.

3. Pride and Prejudice by Jane Austen

Maybe it’s time to get a new one…

I wanted a comfort read to go along with the shiny new things. I tried to fight the desire, yet whenever I attempted to stop adding Pride and Prejudice on my reading list, my inner Catherine de Bourgh threw a tantrum. In her immortal and hilarious words: “I insist on being satisfied!”

What can I say about Pride and Prejudice? Saying it is one of my favorite novels ever is hardly original. Look at the state of my copy! I once dropped it into a wet bathtub during a reading session.

There really is no point in providing a plot summary. Who doesn’t know the story gist at this point? Suffice to say, every time I pick up Pride and Prejudice again, I just feel so damned happy.

4. Better than Perfect: 7 Strategies to Crush Your Inner Critic and Create a Life You Love by Dr. Elizabeth Lombardo

 

I’ve been talking a lot about perfectionism in my last two posts and this book is a big reason why. I’m only forty pages in and haven’t gotten into the strategies to utilize in daily life, but I’m impressed so far. Better than Perfect is very easy to read while still being insightful. The first segment is more about what makes a perfectionist tick, and reading the first chapters feels like multiple slaps in the face.

Dr. Lombardo includes a Perfectionist Self-Assessment in Better than Perfect. I scored 109 out of 120, which made me cringe. I mean, I obviously knew I was a perfectionist, but 109 out of 120 seems pretty extreme.

I might finish the other three books first before devoting entirely on Better than Perfect. It’s probably a good idea to focus on the self-help tactics with no distractions.

***

And we’re done! I must say, I’m delighted that Kubah and Pride and Prejudice are on my current reads stack. I’m so hopelessly behind on my Classics Club Challenge.

June Low-Buy Report

Um, hello. I’ve been a bad blogger: neglecting my blog, ignoring comments from lovely people. Work has been intense but that’s no excuse. Besides, I miss blogging.

Good news: I stayed within my budget this month. June was only my second month of noting all my discretionary spending but already I see results. My biggest spending is concentrated on reading materials and beauty products and in June, I only came away two books and one Urban Decay eyeshadow poorer.

Of course, it helps that two lovely friends gifted me two novels each. So in total, I got six new books in the month of June.

Clockwise from top left: Miss Buncle’s Book by D.E. Stevenson, Mariana by Monica Dickens, The Book Collector by Alice Thompson, The Vegetarian by Han Kang, Bekisar Merah by Ahmad Tohari, and From the Ruins of Empire by Pankaj Mishra

—

I studied abroad in London as an undergraduate. That was when I found out about the glorious Persephone Books. I visited their shop and bought Cheerful Weather for the Wedding by Julia Strachey for myself and Miss Buncle’s Book as a birthday gift for a flatmate. Cheerful Weather for the Wedding is mediocre – the only dud Persephone I’ve read. But Miss Buncle’s Book stuck with me. My flatmate couldn’t stop thanking me and praising the novel to the high heavens. How charming it was! How funny! How adorable! And so I fell into book lust.

This was some years ago. A dear friend asked if she could get some Persephones from London for me, which was already lovely in itself and I didn’t want to burden her so I only asked for Mariana by Monica Dickens. I’ve wanted Mariana ever since I read that Persephone reissued it because they wanted to publish a book similar in feel to Dodie Smith’s I Capture the Castle.

(I Capture the Castle is wonderful forever. Read it, read it, read it!)

The friend said, ”There’s something else you want from Persephone that you aren’t telling me. Spill!” Some persistent nudging and a recounting of my long lust for Miss Buncle’s Book later, here I am with both novels. Friends who trained to be therapists can be so eerily perceptive.

—

I had asked for The Book Collector by Alice Thompson for my birthday this year. I was seduced by Salt Publishing’s description of the novel on their website, which reads:

Alice Thompson’s new novel is a Gothic story of book collecting, mutilation and madness. Violet is obsessed with the books of fairy tales her husband acquires, but her growing delusions see her confined in an asylum. As she recovers and is released a terrifying series of events is unleashed.

Gothic fiction might just be my favorite genre and The Book Collector promises to have the uncanny and the locked-up madwoman in spades. I’m also intrigued because the description promises touches of modernism and meta within the Gothic and the horror.

A good friend couldn’t find it online so she got me Kelly Link’s short story collection Magic for Beginners instead. She recently found The Book Collector on Book Depository, however, and pounced. Oh, and she added The Vegetarian by Han Kang on her cart since I’ve been eyeing it too.

(I have such wonderful friends, guys. Slap me if I ever take them for granted).

I’m sure most of you know by now that The Vegetarian won the Man Booker International Prize recently and tells the story of a South Korean woman who renounces meat in a society where vegetarianism is rare. It’s the themes that made me want the novel badly. Gender politics, mental illness, and societal imprisonment are all themes I love and cannot stop reading about.

—

My pangs of regret on buying Bekisar Merah by Ahmad Tohari waxes and wanes. Ahmad Tohari is the Indonesian author I adore most and I have resolved to reading everything he has written that is currently available. However, purchasing Bekisar Merah could have been delayed. I had several unread Tohari books already and now I feel guilty every time I approach my bookshelves.

Oh well. What’s done is done. And at least Indonesian novels are cheaper than imported ones. I remember little about the synopsis of Bekisar Merah except that it is a historical fiction novel that follows a mixed-race woman throughout her life in Java as she navigates a society that is hostile towards her.

—

Lately, I’ve been wanting to read more educational material. Maybe political, maybe historical. Usually, I would pick up Time magazine or the Economist when such desires flow but this time I wanted it in book form. I read the blurb of From the Ruins of Empire by Pankaj Mishra in a local bookshop and was immediately fascinated. The Victorian era was a horrible time for Asia – most areas had been colonized and From the Ruins of Empire details the intellectual response of Asia. Some figures want to stick to traditional roots, some become moderates, and others became convinced that a radical ideology was the answer.

I might read From the Ruins of Empire first but I don’t know. My mood changes daily. Anyway, thank you for sticking through this unnecessarily long post. I hope you enjoyed oohing and aahing over my new books with me.

Of Mice and Men by John Steinbeck: More a Comparison than a Review

 

Read and reviewed as part of my Classics Club Challenge

My copy of Of Mice and Men. Inherited from my grandfather and published in 1938

Isn’t it strange how the fiction we completely adore are the most elusive to review?  When you are completely absorbed in another world, a world more real than our own, who has the time to analyze themes, symbolism, motifs, and all that faff? Sometimes fiction just works, no thousand words necessary. And I say this as someone who used to spend every day analyzing themes, symbolism, and motifs.

In case you haven’t guessed, I completely adored John Steinbeck’s Of Mice and Men. I couldn’t put it down when reading. I even spent my lunch break reading. I was desperate to know what will happen to George and Lennie. What I’m having trouble with is putting into words why I loved Of Mice and Men so much.

In Of Mice and Men, we enter the lives of two drifting California laborers during the Great Depression: George and Lennie. Both men have fled their previous employer because of an incident involving Lennie. It’s easy to infer that Lennie has a mental disability and is both devoted and dependent on George, but George cares deeply for Lennie as well. They are sustained by a shared dream of owning their own piece of land.

George and Lennie quickly find new employment, where they find friends and kind souls along with the new boss’ belligerent son and his dangerous wife. Characters and events weave around each other to a climactic action, leading into tragedy.

(I will never laugh again at generic blubs. It is difficult to write the synopsis of a book without spoiling key plot points while not sounding pathetically vague, which I have failed to do. Apologies)

Part of the reason why Of Mice and Men confounded me, despite my love, was how similar I found Steinbeck and Hemingway’s themes and dominant male presence. Yet I found Hemingway cold and dead. I reviewed Hemingway’s collection Men without Women very negatively last year. Meanwhile, Steinbeck’s Of Mice and Men is heartfelt and exciting.

A dear friend and fellow Steinbeck lover suggested that Steinbeck had “sensitivity to injustice and personal emotions [and] deep commitment to realism and humanism.” I do think there’s something to her theory. Humanism and sympathy are key. There’s a tenderness to Steinbeck that Hemingway lacked. I cared for George and Lennie and Of Mice and Men’s cast. Fiction that inspires emotions just work, no thousand words necessary. Sometimes the difference between a magical author and a merely skilled author is the breath of life he gives his world and characters. I think, ultimately, that is the main difference between Steinbeck and Hemingway.

 

Belenggu (Shackles) by Armijn Pane

Read and reviewed as part of my Classics Club Challenge

Published in 1940, Belenggu (or Shackles in its English reincarnation) is widely considered the first modern Indonesian novel. I agree with this assessment. Prior, Indonesian prose focused on the dramatic romances of star-crossed lovers with rotten villains twirling metaphorical moustaches. Granted, early Indonesian literature had cultural and social commentary to make up for the soapy melodrama, but for the most part, novels like Sitti Nurbaya have always elicited eye rolls from my part.

Belenggu is a love story too. A love triangle, in fact. However, the novel was written in a radically different way than its predecessors. There is no antagonist; all the conflict is strictly internal. No one is a paragon of virtue or a symbol of all evil. It is also a city novel, unlike previous prose that favored rural settings.

Despite its revolutionary status, however, I didn’t like Belenggu much.

**

Tono and Tini’s marriage is fading. They scarcely spend time with each other and when they do have to face one another, Tini is angry and bitter while Tono is nonplussed and retiring. Worse, their ideologies clash. Tono wants a traditional wife who stays at home and takes off his shoes. Tini wants independence and freedom – she explicitly states that she has the right to go out anytime, just like her husband.

When Tono meets his childhood playmate and neighbor Yah again, he finds in her the woman of his dreams. Yah is warm, polite, and completely devoted to pleasing him. It is not long until they fall into an affair.

**

Despite the summary, Belenggu couldn’t be further from torrid. This is a thinky, Freudian novel – with massive amounts of thought processes and philosophical meanderings. My biggest problem with Belenggu is that for its modern storytelling approach to work, the fictional characters had to be at least somewhat believable. The characters in Belenggu are not, sadly. After a certain point, they even stopped speaking like normal people. Going further, they became symbols. Or conduits for Pane’s philosophical reflections.

My edition of Belenggu (I read Shackles, the English version) is only 162 pages long but the story dragged so badly. There really wasn’t much of a story to begin with – which makes all the thinking and philosophizing and symbolizing feel like copious padding.

Pane tried to tackle a myriad of themes in Belenggu: equal rights, politics, ideology, gender relations, philosophy, even the meaning of life. Yet all of them fell flat and none of them stood out.

The usage of shackles as a motif is good. Everyone in Belenggu is shackled by something: shackled to a marriage, shackled to an ideology, and most of all, shackled to the past. Motifs alone don’t make a good novel, though.

**

Overall, I think Belenggu is valuable mostly for scholars studying the development of Indonesian literature. If you’re a casual reader wanting a readable novel, look for something more contemporary.

Tintin in Tibet by Hergé

Because I am obsessive *cough,* I mean meticulous, I dug up facts about Tintin in Tibet in preparation of this post. My favorite was how prior to writing, writer and illustrator Hergé was tormented by dreams of endless white expanses. His Jungian therapist advised him to quit the Tintin comics. Hergé responded by creating Tintin in Tibet, a beautiful volume stuffed full with white snowy panoramas.

Tintin in Tibet is widely considered Hergé’s magnum opus. It is frequently featured in “Best of Tintin” lists. Hergé himself stated that Tintin in Tibet is his personal favorite. According to Wikipedia (make of my sources what you will), he said, “It is a story friendship the way people say, ‘It’s a love story.’”

***

It has been years since I last read Tintin in Tibet. Despite the accolades heaped upon it, Tintin in Tibet is not my favorite Tintin. That honor goes to Explorers on the Moon.

Yet I can see why critics value Tintin in Tibet so much. Sharp Tintinologists have spotted that it is the only Tintin comic book without a clear antagonist (though I would argue that The Castafiore Emerald is another). Tintin in Tibet is poignant yet subtle. The drama is never bombastic – a far cry from Hergé’s usual fare of swashbuckling adventures and international mysteries.

***

Tragic news assail Tintin and Captain Haddock on their vacation. The papers report a horrific airplane crash in Nepal – there are no survivors. Before reading the news, Tintin dreams of his old friend Chang barely alive and begging for help. After reading the news, Tintin receives a letter. Chang was in that Nepalese plane crash.

Believing his dream to be a vision, Tintin sets off to rescue Chang. Captain Haddock, ever crabby yet ever faithful, accompanies him. And so we have the set-up for our adventure.

Hergé is a man of his words. Tintin in Tibet is centered on friendship. Searching for a friend against all the odds is the most obvious motif. But more than Tintin’s telepathic connection to Chang, Tintin in Tibet is all about the dynamics between Tintin and Captain Haddock. Captain Haddock loyally supports Tintin despite his near madness (not without some boisterous swearing and temper tantrums, of course). The high point of Tintin in Tibet is seeing how one would sacrifice his life for the other. Tintin and Captain Haddock: truly a friendship for the ages.

Tintin in Tibet also beautifully shows the humanity of both Tintin and Captain Haddock. I loathed Tintin’s stubbornness. He was stringing people along into danger and that is not what a good person does. But his faith and his big heart are undeniable.

As a child, Captain Haddock could do no wrong in my eyes. But with this reading, I will readily admit that he could be a bit more respectful of others and their culture. But hey, Haddock’s irascibility is a great chunk of his charm!

In case you were wondering if Tintin in Tibet is too full of internal conflict and spiritual journeys to appeal to the kids, worry not! Hergé’s light comic touch is ever-present and always on point.

***

Why did I revisit Tintin in Tibet in the first place? Friendship, a reason befitting this comic volume’s main theme. One of my dearest friends and I are in a long-distance friendship. The Pacific Ocean separates us. In her last email, she asked me to talk more about Tintin – one of my childhood joys. No Tintinologist worth her salt can leave out Tintin in Tibet in the conversation. It is considered Hergé’s masterpiece.

I will see her in September and already I’m thinking of crafting a care package for her. I was wondering if Tintin in Tibet would be a suitable package stuffer. Reading Tintin in Tibet again today, I thought ‘yes, yes of course – in fact, she’ll love it more than I do.’ And I hope, she’ll think of me when reading her copy.

Big Bad Wolf Haul

Here it is! A photo of my haul of shame:

It wasn’t deliberate that, excepting Nigella Bites, all the books I bought were written by postcolonial authors. Whilst I follow and read a number of book bloggers who focus on diversity in literature, I’d be heartbroken not to have total unlimited choice of reading material.

***

Back to my haul, I affectionately call these two my nostalgia duo:

I first encountered both novels during my semester abroad in London. I call those beautiful four months ‘the best time of my life,’ mostly because what happened immediately after was the darkest time of my life. London came to symbolize that precious time when one felt the world was their oyster and theirs for the taking.

I had never heard of Amitav Ghosh’s Sea of Poppies until a glorious sunny autumn day in London – yes, sunny autumn days do exist in London. I was on a tour boat, cruising the River Thames with a delightfully snarky Brit as guide. I sat next to out chaperone professor as I felt bad no other student wanted to sit next to a professor. I needn’t worry, he had an engrossing novel. Halfway through the trip, we struck a conversation. I remember precious little: he had been to London several times and I really ought to pick up Sea of Poppies because it is excellent. It was with a smile and with sweet memories I picked up Sea of Poppies at Big Bad Wolf.

Brick Lane was another novel raved about by a London professor. But what pushed my purchase button was the beautiful memories I made in Brick Lane; from taking photographs for class projects to sampling South Asian desserts that turned out absolutely vile to a delicious curry dinner paid for by our Shakespearean professor. That Tesco sticker is staying there – that enabler of endless late night munchies.

***

I named this photo “new and interesting” on my laptop despite knowing all of the authors. Some buying motivation aka navel-gazing behind all of them starting clockwise.

V.S. Naipaul has said some very funny things about women and women writers. Yes, misogyny is still very much a thing. But the blurb of Among the Believers whet my appetite. It’s non-fiction and in it, Naipaul compares Islam in four countries: Iran, Pakistan, Malaysia, and Indonesia. I am fascinated by outsider views on Indonesia and I cannot resist books centered on such. So into my arms Among the Believers went.

I almost bought A Thousand Years of Good Prayers at full price from the famous Kepler’s Books in Menlo Park. So of course I wasn’t going to pass up a copy sold for 60 thousand rupiahs (around $4.50). I’ve never read Yiyun Li before but I’ve wanted to ever since her “A Sheltered Woman” won the Sunday Times short story prize. “A Sheltered Woman” is available to read for free here.

Of course I wanted Things Fall Apart. I’ve never read Chinua Achebe before and everyone starts with Things Fall Apart, but there were only three Achebes at the Big Bad Wolf: A Man of the People, Anthills of the Savannah, and No Longer at Ease. I found No Longer at Ease the most interesting from the blurb and its first pages so it came home with me. Hey, at least when I review No Longer at Ease, I can say: how many reviews of Things Fall Apart does the book blogosphere need anyhow?

A creative writing professor once commented that a short story of mine reminded him of Gabriel Garcia Marquez’s early village fiction. My heart soared despite having read next to nothing of Marquez’s works. I’ve made it a mission to read more Marquez during the new few years. Even without that personal quest, the blurb of Chronicle of a Death Foretold would have spurred me on to buy it. It’s apparently a non-linear story about a brutal murder and the contradictory testimonials and journalistic pieces surrounding why and how the murder happened. I love that. I love crime stories that focus on psychology; I don’t read enough psychological thrillers, really.

***

A final note on Nigella Bites: Oh, how I have wanted Nigella cookbooks for years! I just didn’t want to part with my money. Cookbooks are expensive, but at the Big Bad Wolf, they go around for about $10 dollars. I’ve already marked some recipes I want to try. I’m more of a baker but the salmon fish cakes are really calling my name…

Let me know if you went to the Big Bad Wolf and have written a post about it. I’d love to read about your experiences and your hauls!

 

The Yellow Wall-Paper by Charlotte Perkins Gilman

Penguin’s Little Black Classic version of The Yellow Wall-Paper contains three Charlotte Perkins Gilman short stories: the highly influential “The Yellow Wall-Paper,” along with “The Rocking-Chair,” and “Old Water.”

“The Yellow Wall-Paper” is told through an unnamed woman’s perspective. She is ill with what her physician husband and brother diagnosed as “temporary nervous depression.” She is “absolutely forbidden to work until [she is] well again.”

To accelerate her health, husband John rents a beautiful colonial mansion for the summer so his wife can rest. And rest. And rest some more.

Against her wishes, our narrator’s bedroom is placed in an old nursery with hideous yellow wallpaper she finds objectionable. Left with nothing to do, however, the wallpaper starts to consume her life. She begins to imagine a trapped woman behind those yellow walls, trying to break free. She becomes obsessed, convinced that she must try to rescue this imprisoned woman.

In many respects, “The Yellow Wall-Paper” is an excellent short story, deserving of its classic status. The text is rich and dense, encompassing many themes. Published in 1982, it is far ahead of its time. It’s a feminist manifesto, a horror yarn, an observation on mental health struggles, all at once. “The Yellow Wall-Paper” is hailed as a seminal feminist text and is widely taught as such. I am more intrigued by the theme of mental health in this story; I think it particularly timely.

Much ink has been spilled over “The Yellow Wall-Paper” and I’d like to devote some more Internet space to an analysis of the themes of feminism and mental health as part of booksandstrips’ Femme Friday project. Some points are really worth discussing, I think. For now, I’ll talk about “The Yellow Wall-Paper” as a horror story and its pacing.

The first section of “The Yellow Wall-Paper” gave me the chills. Its horrors are tangible, palpable. It’s very easy to slip into our narrator’s skin and watch our every opinion disregarded, our wishes scoffed at.

And isn’t that a basic human fear? To have no agency. To feel smothered by the people around you. To feel as though you don’t matter.

Unfortunately, the second half lost its pacing. The narrator’s descent to madness happened too quickly. I would have appreciated a slower setting and more detailed, atmospheric description. This is one short story I wish were a novella to give it justice.

***

“The Rocking-Chair” is the lone dud of the three Gilman stories. A standard, reasonably well-written, and entirely forgettable Gothic horror.

Best friends Maurice and Hal are looking for rooms to rent when they halt at a shabby guesthouse, enchanted by the golden hair of a strange and beautiful girl in a rocking chair. The men pay for the rooms and supernatural events begin to happen. The rocking chair moves. The golden-haired girl shows from afar and disappears up close like a mirage. Both men grow obsessed with the girl, gradually destroying their relationship in the process as they accuse each other of rocking with her on the chair.

Like “The Yellow Wall-Paper,” the pacing of this short story’s second half is a bit off. The disintegration of Maurice and Hal’s relationship is a bit abrupt, which renders it unbelievable.

***

I feel like “Old Water” is a story many won’t appreciate because I can see a lot of people finding it dull and pointless, but I really enjoyed its themes. The story itself has a slight subtle feel I admired.

“Old Water” follows the exploits of a mother, her daughter, and a poet. Mother and daughter are night and day. The mother is romantic and cultured, her daughter is athletic and sensible. When she was young, the mother was married off to a man with a stable job and good prospects. But she longed and longed for romantic passion – and now desires to give her daughter what she never had by foisting a young handsome poet to her daughter. Some supernatural happenings infuse the short story, but the tone of “Old Water” is quite comic.

Essentially, “Old Water” is a story about a mother’s love. A mother’s flawed love. Ignore the poet. He is as one note as they come. He doesn’t matter. It’s the mother-daughter relationship that does.

Despite its light touch, I found “Old Water” rather tragic. The mother wants her daughter to have what she never had, yet the tragedy here is that her daughter doesn’t want what her mother never had. She is happy with the status quo. The tragedy is: love needs to be supported by listening and understanding. We may love fiercely, but sometimes we forget the gentleness to stop and listen.

I found it hilarious that the comic-tragic aspect of the mother’s love bled into the daughter’s relationship with the poet. Is there a relationship more tragicomic? I don’t know who is more persistent, the mother or the poet. Or who is more dense, for that matter.

***

Bottom line: “The Yellow Wall-Paper” deserves its status in the literary canon. Yet I also understand why critics rarely rate Gilman’s other stories. “The Rocking-Chair” is as average as they come and while I really, really liked “Old Water,” I don’t think it is for everyone.

“The Yellow Wall-Paper” is readily available to read for free online. Here’s an example link. “Old Water” is, unfortunately, more difficult to come across.

Miss Pettigrew Lives for a Day by Winifred Watson

“The work is rather too light, and bright, and sparkling”

Jane Austen on her own novel Pride and Prejudice

Austen’s oft-quoted line above perfectly describes how I feel about Winifred Watson’s Miss Pettigrew Lives for a Day. It’s happy and bubbly, frothy almost, and it gladdens the heart.

Miss Pettigrew is a drab, nondescript governess on the edge of destitution and homelessness. A final chance at employment takes her to the abode of nightclub singer Miss LaFosse. No unruly children in sight here. Instead, Miss Pettigrew is pleaded to assist Miss LaFosse’s romantic entanglements. Beautiful, glamorous, and frantic, Miss LaFosse is juggling three boyfriends and it is all up to Miss Pettigrew’s wits to keep LaFosse’s men clueless and separate from each other.

The action whirs from the start and whizzes continuously. Miss Pettigrew Lives for a Day spans a day and follows our eponymous heroine as she is introduced to LaFosse’s world of beauty makeovers, captivating characters, theater figures, and jazz clubs – gradually, Miss Pettigrew learns to be merry, learns to live.

Miss Pettigrew Lives for a Day is the novel that put Persephone Books on the map and I can see why. It has been a while since a novel calls to me every time I had to put it down. I just couldn’t wait to pick it up and continue reading, which is a bit silly since Miss Pettigrew Lives for a Day is essentially a Cinderella story; there’s no extra points for guessing a happy ending. But the journey is such an entertaining and playful romp I couldn’t help but race through the pages.

The preface of this novel described Miss Pettigrew Lives for a Day as “closer to a Fred Astaire film than anything else I can think of.” Now, I have never seen a Fred Astaire film, but Miss Pettigrew Lives for a Day certainly has an old-fashioned comic charm. It feels slightly fantastic, its settings glamorous, and its mood playful, light-hearted, mischievous, and just pure fun.

Now, it is important to note that despite being stuffed with some delightfully subversive views (“A woman’s got to sow her wild oats”), Miss Pettigrew Lives for a Day is most definitely a product of its time. Which means, there are extremely dated sentiments that may be considered odious to a contemporary eye. Here’s an example:

[…] I wouldn’t advise marrying him. I don’t like to jump to conclusions but I think there was a little Jew in him. He wasn’t quite English. And, well, I do think when it comes to marriage, it’s safer to stick to your own nationality.

Readers fall into two camps when it comes to retrograde viewpoints in fiction: those who shrug and reason that reading about, say, sexist diatribes doesn’t automatically turn them sexists and those who cannot abide hateful ideas and will refuse to support such ideology by not purchasing the novel. If you fall into the second camp, perhaps best to stay away.

Complaints on obsolete attitudes aside, shutting the final page of Miss Pettigrew Lives for a Day fills sweet positivity to my heart. Sometimes books don’t need flash and flourish. Sometimes books just need to make you happy.

April Persephones, the Joy of Receiving, and Self-Care

I wanted to kick off April with my March book haul but it’s already April 10 here. It feels a bit late and my notes for the aborted draft ballooned to insane length. I shall spare you that baggy monster and give you something shorter. Still about new books, but in gift form aka I don’t have to record my own gross consumerism.

Someone lovely spent March in London and asked me if I would like a book. I didn’t even have to think; I almost screamed “PERSEPHONE!”

Greenery Street and Heat Lightning

My love for Persephone Books is well–documented on this blog. Plus, I thought, most books I can order online.

(Actually, you can order Persephone books from their website and they will ship it to you, even internationally. What? You expect me to be logical when it comes to books?)

And so to the Persephone website I went for “research.” There are always Persephone books I kind-of-want. Miss Buncle’s Book, for one. The Victorian Chaise-longue is another. I dithered between Little Boy Lost and High Wages too. I just really love Persephone, okay?

Eventually, I settled on Heat Lightning by Helen Hull, a relatively new Persephone reissue –or number 101 from their current list of 115 books. The plot follows Amy Norton, who returns to her Michigan hometown to escape her family problems in New York only to find her home is no longer an idyll. The moral seems to be: don’t run away from your problems, face it. Heat Lightning’s blurb really hits home. On the spectrum of fight vs. flee vs. accept, I definitely flee. No wonder I have crippling anxiety. And so Heat Lightning became my pick, bypassing Miss Buncle’s Book and the other Persephones I sort-of-wanted.

But wait! I knew Persephone sometimes runs out of a specific title and takes a while to restock. So I needed a back-up option. I relied on this wonderful list of recommendations by the equally wonderful bookssnob. She lauded Greenery Street as a splendid, joyous, positive gem about a happy marriage. A dear friend and I lamented the dearth of enduring loves in literary fiction. It must be so much easier to sound “deep” when your subject material is 100% depressed and dysfunctional. On to the back-up choice Greenery Street went. I gave specific word that Greenery Street was to be purchased only and only if Heat Lightning was unavailable.

Imagine my surprise when the lovely one sent a message late March saying “I have your books.”

Books? As in plural? I cautiously replied, “Books? But I only asked for one.”

Reply: “I got them both.”

Happiness can be such a simple thing. I found it so easy to smile that day.

I met my lovely benefactress last week to pick up Heat Lightning and Greenery Street. Of course I told her I would transfer money for them but she would have none of it. She went on a ten-minute tangent on the ‘joy of receiving’ and how important it is for healing and a well-rounded life. Being so grateful, I was at full attention for eight minutes but nodded off the final two minutes.

(Actually, that probably was her master plan. To bore me into not asking for her account number. Gambit successful, madam!)

And yet, I find myself mulling over the ‘joy of receiving’ a lot. When I was younger, my philosophy was ‘Expect nothing from others. You are the only variable you can control in life, everything else is unreliable.’ I’m beginning to think that I was arrogant and presumptuous, that having faith takes a lot of bravery. I also suspect my anxiety was caused by burnout or overcompensation. Maybe. Could be. I don’t know yet.

I’ve been thinking of self-care a lot too. Being productive and meeting deadlines is self-care because it keeps anxiety and depression at bay in the long run. Pleasure reading is self-care as no other leisure activity makes me happier and teaches me to be a better writer. Writing every day is self-care. I am my worst critic and defeat myself if I ever so much as write a mediocre sentence. Yes, writing is hard. Yes, I need to rewrite and rewrite and rewrite again. But I love writing so much. If I stop often, I’ll never the good writer I aim to be.

I’m currently in the middle of six books and I’ve lost passion for all of them. The one book I really want to read right now is Miss Pettigrew Lives for a Day. I’ve been saving it for, well, something. I always save Persephones for special reading occasions, most likely because it’s not easy for me to get ahold of them. But my books are not more special than I am. I think I’ll take out Miss Pettigrew Lives for a Day from my shelf. I’ve been doing well at my new job and rewarding myself with a good book is also self-care.